Writing in France

A guest post by Marni Henrickson

Marni was one of our wonderful writers at the workshop in Collioure in September 2018. We’re delighted to offer her thoughts on the experience.

Why would I go all the way to France just to write? I have a lovely view out my window, a quiet space, and it’s already all expenses-paid. Perhaps so I could peek into other peoples’ windows just a little, let a little noise into my life, and enjoy the smell of fresh baguettes wafting up the cobblestone walkway every morning. Eighty steps (I counted) from the blue door, down to the main street by the harbor where I had to make a decision every morning: was I going to go left to the market for fruit and cheese first, or right to the bakery for bread or a croissant. Then another 100 yards if I wanted to get my toes wet in the Mediterranean Sea while tasting my “Beignet de Catalan.” Back up the street past the roses and the open windows for breakfast and to write. Life was simple. Good food to eat, beautiful village, vineyards, olive trees, cork oaks, and coastline, almost all on foot. Museums, monasteries, and “Soup de Poisson”—it was all amazing.

So, why would I spend any time indoors in France sitting at a desk writing when I could be out exploring, eating my way up and down the streets of the villages, or exploring Paris and the Louvre, walking through the French Botanical Garden, seeing what was once Notre Dame? I came home and felt like I had done something on my trip. It felt like I was myself. I lived my own life in a different place. I didn’t feel like a tourist really; I had a bit of a purpose.

The first day of the writing workshop Char and Debbie posed an intimidating opener: “Tell us about your life as a writer.” Hmm. What will I say? That I wrote a novel when I was eleven? It was terrible. That I always wrote good nurse’s notes? My annual Christmas letter is better than average? My life as a writer is a better story because of Collioure. Because I didn’t think of myself as a writer, I carefully prepared a list of topics I could write about before I left for Collioure. Looking back a few months later at that list and that exercise, I am amused. It’s a flood like the Nebraska farmlands. I have some catching up to do. Is this what they mean when they say “finding your voice?”

Some days, I think of those wonderful afternoons in France, how I would write for an hour or two, then take a break to walk to the little market and pick out a perfect juicy peach or fresh fig for an afternoon snack, stopping at the bakery for a dinner baguette from the afternoon round of baking. I hold on to the magic of that simplicity. I’ve begun to taste it.

Editor’s note: You, too, can experience the joys of writing in France! Click here for more information.

Photos by the author.

Secrets of Story: France 2017

          SECRETS OF STORY


WRITE IN 
THE SOUTH OF FRANCE

September 2017 (Two Sessions this year, 2nd-9th, and 16th-23rd)

We’ll stay seven nights, six full days, in the colorful town of Collioure. With the foothills of the Pyrenees on one side and the Mediterranée on the other, Collioure is perfectly situated. It’s beautiful too – photographs of its waterfront and phallic bell tower adorn the cover of many a travel guide.

collioure-france-languedoc-1375029-h

There are also the requisite cobbled side streets, picturesque vistas, and inviting town squares.

collioure-steps

collioure-cliffside-houses collioure-square

 

THE WORKSHOP:

Every morning we’ll meet from 9:30 to 12:30 for the “class” portion of the experience – a basic workshop format of mini-lectures from Debbie and Charlotte, in-class writing exercises, and discussion of the pieces each of you will submit. (Yes, we will give you writing assignments at the end of class each day.  Even in paradise, there is work to be done.) We’ll also assign a couple of books for you to read ahead of time. In class we’ll discuss the elements of story in the assigned books.

We’ll have a group cocktail hour each day around 6:00, so from 12:30 till then you can eat, sleep, write and explore as you wish. Time permitting, we may organize an optional side trip or two  to nearby points of interest. The region is rich with Roman and medieval ruins, Romanesque and Gothic cathedrals,  beaches, vineyards, and  vistas painted by Matisse or Dérain or Soutine.

Day One Saturday September 2: Arrive in Collioure and settle in.  The train from either Paris or Barcelona stops in town and our houses will be walking distance from the station.  Saturday is market day in Collioure so you might want to check into a nearby hotel the night before to experience a wonderful French market fully.   We’ll spend Saturday getting acclimated and getting to know each other, with a festive dinner in town or at home, depending on the group’s choice.

Day Two Sunday, September 3: Character. Who is your central character – how do you see her, how do you present her on the page? We’ll consider some of the many ways to work with character to develop and enhance your story.

Day Three Monday, September 4: Setting.  Where does your story take place? How do you make it real for the reader?

Day Four Tuesday, September 5: Theme. What’s it all about, anyway? One writer has explained theme thus: “Plot is the events of story; theme is the meaning behind or revealed by story.” We’ll have a day when we explore how a theme emerges.

Day Five Wednesday, September 6:  Structure part one.  How do you put your story together? We’ll spend one day looking at traditional structures: the classic three-act structure, the Hero’s Journey, etc.

Day Six Thursday, September 7:  Structure part two.  Sometimes the best way to structure a story is not in a linear fashion.  We’ll discuss the pleasures and pains of less conventional ways to structure your story.

Day Seven Friday, September 8: Revision! A crucial piece of the process often overlooked in workshops. We’ll talk about both the big-picture and the fine-tuning aspects of revision, and give you a chance to rewrite of one of the pieces you’ve submitted to the workshop.

Day Eight Saturday, September 9: Time to leave.

Week Two: Unless you’d rather stay! In past years, several students have opted to spend another week in whatever little piece of paradise we’ve chosen. If you’d like to stay an extra week in Collioure in 2017, please let us know immediately.

Week Three: September 16 to 23 we will repeat the workshop.

YOUR LEADERS:

Debbie Guyol (dguyol@aol.com) teaches creative writing in the Mature Learning Program at Clark College, where she has inspired scores of students since 2002 and edited an anthology of student writing called Elderberry Wine Vintage 2010. Debbie is also a lawyer who has practiced in New York City and Portland. She is the co-author of The Complete Guide to Contract Lawyering, as well as articles for legal publications. Her co-authored book Pride and Prejudice and Kitties was published by Skyhorse Publishing in April 2013.

Charlotte Rains Dixon (chardixon@comcast.net), a writer and writing coach, teaches at the Writer’s Loft in Murfreesboro, Tennessee, and Room to Write at the Scarritt Bennett center in Nashville. Charlotte has also ghostwritten over a dozen books on diverse topics. Among her work-for-hire projects are The Complete Guide to Writing Successful Fundraising Letters, Beautiful America’s Oregon, and Beautiful America’s Wyoming. Her long list of magazine credits includes pieces for Vogue Knitting, The Oregonian and Stepping Out Magazine. Her MFA in Creative Writing is from Spalding University. Charlotte’s novel, Emma Jean’s Bad Behavior, was published by Vagabondage Press in February 2013. http://www.wordstrumpet.com/

TESTIMONIALS – 2017 will be our fifth year presenting workshops in France. Our students have loved our sojourns – Céret in 2013, Pézenas in 2014, Collioure in 2015, back to C`éret in 2016.  The writing has been good too!

Renee Soasey says: “Debbie and Charlotte have a way of nudging and nurturing writers to new horizons, and they create an atmosphere of camaraderie into the bargain. I felt each of us at the workshop in Céret made real progress in our writing goals – and we had so much fun doing it! The town of Céret and our wonderful accommodations made a charming backdrop to indulge in not only writing, but fabulous wine and food topped off with laughter and friendly conversation. I can’t wait to do it again!”

Jenni Gainsborough says: “Céret was the perfect place for a writing retreat – so different from home, fascinating in its culture and history, it sparked creativity. Yet the beauty of its setting and its tranquil pace of life made it easy to focus on writing. And when I needed a break there was so much to see and enjoy and be reinspired by. The camaraderie of the group added so much – listening to other people’s work was inspiring and their interest in and insightful comments about my writing were so helpful and encouraging. And we had fun! Leisurely dinners with wine and conversation flowing freely were our reward for days of hard work.”

Albert Bouffard has joined us all four previous years: “The Let’s Go Write experience in France, with its collegial and congenial spirit, enriched me, and I have no doubt, all the participants. The writing almost palpably improved;  acquaintances became friends; and entrenched habits broke open, as we bumped up against another cultural and linguistic tradition. Not a bad thing for writers. And I can’t forget the good food, excellent cooks and the waiters and waitresses who so often entertained us with un sens de l’humour. As my six year old grand daughter would say: ‘How cool is that, Papa!’”

AND THEY LOVE US!

“Charlotte is warm, personable, and real. Her ideas work.” Zan Marie Steadham

“Debbie’s classes are inspirational, educational and a lot of fun.” Helen Cartales

“I attend every workshop Charlotte and Debbie offer, as my schedule allows. I come away from each of these workshops feeling inspired, energized, smarter, and highly motivated.” Dawn Montgomery

Questions?   Contact Debbie, dguyol@aol.com, or Charlotte, chardixon@comcast.net


Cost:
The price is $1900 until December 31st, 2016; after that it goes up to $1975.  We require a $300 deposit on registration and complete payment by May 31, 2017. The program is limited to eight participants. If your spouse or partner wants to come along, there will be a small additional charge. The price of the program covers lodging, tuition, breakfast and four dinners. Lunch and other dinners are flexible – a mix of meals at home and in restaurants– with the cost shared among participants.
THE DETAILS:

The housing cost for week two (September 9-16) is shared equally among everyone who stays for that week, and will be determined once we’ve made our final housing payments. In past years it has hovered around $500 per bedroom.

How to apply: Send us a short statement (250 words or fewer) about where you are in your writing now and why you would like to join the workshop and what you hope to get out of it.  Please also let us know whether you prefer the week of September 2-9 or 16-23.

What to expect: Please bring a computer with word processing capability. The houses where we stay have internet access; you will be expected to send your writing to other class members each day via email. We will discuss student writing as a group, focusing on each day’s subject matter. We encourage constructive discussion of how to improve the writing.

Physical fitness: Okay, we won’t make you do pushups or run a marathon, but you should be aware that there will be stairs, there will be hills and there will be walking. It’s not terribly strenuous, but be advised.

Transportation: We will rent cars to use as needed for grocery shopping and short excursions.

Cancellation policy: The $300 deposit is not refundable. Once you have paid the balance of the cost, we will provide a full refund (less deposit) if you cancel before June 30. If you cancel thereafter there is no refund unless you find a replacement student for us.

Fundamentals of Fiction (and Memoir) Write in the South of France

FUNDAMENTALS OF FICTION (and MEMOIR!)

WRITE IN THE SOUTH OF FRANCE

September 10-17, 2016

Ceret-square

We’ll stay seven nights, and six full days in the charming Catalonian town of Ceret.  It’s nestled in the foothills of the Pyrenees and the sparkling Mer Mediterranée is a mere 34 kilometers away. We love this town with its medieval walls and giant plane trees, its modern art museum and bustling Saturday market, its bakeries and bistros. We also love the region, famous for wine, seafood, ruined castles and artists of the early 20 century.

Every morning we’ll meet from 9:30 to 12:30 for the “class” portion of the experience – a basic workshop format of mini-lectures from Debbie and Charlotte, in-class writing exercises, and discussion of the pieces each of you will submit. (Yes, we will give you writing assignments at the end of class each day. Even in paradise, there is work to be done.) We’ll also assign a book or two for you to read ahead of time. In class we’ll discuss how the assigned books use our fundamentals.

We’ll have a group cocktail hour (with optional writerly talk) each day at around 6:00, so from 12:30 till then you can eat, write and explore as you wish. Time permitting, we may organize an optional side trip or two to nearby points of interest. The region is rich with Romanesque and Gothic cathedrals, magnificent mountains, beaches, vineyards, and vistas painted by Matisse or Dérain or Soutine.

Ceret-wallDay One Saturday September 10: Arrive in Céret and settle in. The train from either Paris or Barcelona stops in nearby Perpignan; we can assemble there and drive down to Céret together. We’ll spend Saturday getting acclimated and getting to know each other, with a festive dinner in town or at home, depending on the group’s choice.

Day Two Sunday, September 11: Character is a great place to start. Who is the protagonist, the antagonist? Secondary characters? Names, ages, living situations and backstories. What are their motives, problems, excuses, wants and needs? How will they drive the action?

Day Three Monday, September 12: This day we’ll work on setting. – the where and when or your work. “Writer after writer will tell you that setting fuels the drive to write.” Janet Burroway, in Imaginative Writing. How do you build a set? How does the setting function in the narrative?

Day Four Tuesday, September 13: Story and Plot. You need something to hang it all on, so today we’ll explore structure. And help you create the framework for your story. Is plot the same as story – and does it matter? How do you string a bunch of events together to make a cohesive whole?

Day Five Wednesday, September 14: Scene. The basic building block of your book. What is a scene? When should you use a scene and when should you use summary or exposition? How best to construct a scene? Aerialceret

Day Six Thursday, September 15: Point of view, voice, tone. Who is speaking? Whose head are we in? Who observes and relates the action of the story? How does point of view affect voice and tone? We shall discuss!

Day Seven Friday, September 16: Tension, suspense, narrative drive. We will divulge the secret to creating tension and narrative drive. Yes, there is one! Master this and you’ll be on your way to a page-turning story.

Day Eight Saturday, September 17: Time to leave. Unless you’d rather stay! In past years, several students have opted to spend another week in whatever little piece of paradise we’ve chosen. If you’d like to stay an extra week in Céret in 2016, please let us know immediately so we can discuss housing.

Other Details: The price is $1900 if you reserve before December 31 , 2015; after  that it goes up to $1975. We require a $300 deposit on registration and complete payment by May 31, 2016. The program is limited to eight participants. If your spouse or partner wants to come along, there will be a small additional charge. The price of the program covers lodging, tuition, and breakfast. Lunch and dinner are flexible. We anticipate a mix of meals at home and in restaurants.

YOUR LEADERS:

Debbie Guyol (dguyol@aol.com) teaches creative writing in the Mature Learning Program at Clark College, where she has inspired scores of students since 2002 and edited an anthology of student writing called Elderberry Wine Vintage 2010. Debbie is also a lawyer who has practiced in New York City and Portland. She is the co-author of The Complete Guide to Contract Lawyering, as well as articles for legal publications. Her co-authored book Pride and Prejudice and Kitties was published by Skyhorse Publishing in April 2013.

Charlotte Rains Dixon (chardixon@comcast.net), a writer and writing coach, teaches at the Writer’s Loft in Murfreesboro, Tennessee, and Room to Write at the Scarritt Bennett center in Nashville. Charlotte has also ghostwritten over a dozen books on diverse topics. Among her work-for-hire projects are The Complete Guide to Writing Successful Fundraising Letters, Beautiful America’s Oregon, and Beautiful America’s Wyoming. Her long list of magazine credits includes pieces for Vogue Knitting, The Oregonian and Stepping Out Magazine. Her MFA in Creative Writing is from Spalding University. Charlotte’s novel, Emma Jean’s Bad Behavior, was published by Vagabondage Press in February 2013.  Visit her site for more.

TESTIMONIALS – our students have loved our previous sojourns in France – Céret in September 2013, Pézenas in September 2014, Collioure in September 2015. The writing was good too.

Renee Soasey says: “Debbie and Charlotte have a way of nudging and nurturing writers to new horizons, and they create an atmosphere of camaraderie into the bargain. I felt each of us at the workshop in Céret made real progress in our writing goals – and we had so much fun doing it! The town of Céret and our wonderful accommodations made a charming backdrop to indulge in not only writing, but fabulous wine and food topped off with laughter and friendly conversation. I can’t wait to do it again!”

Jenni Gainsborough says: “Céret was the perfect place for a writing retreat – so different from home, fascinating in its culture and history, it sparked creativity. Yet the beauty of its setting and its tranquil pace of life made it easy to focus on writing. And when I needed a break there was so much to see and enjoy and be reinspired by. The camaraderie of the group added so much – listening to other people’s work was inspiring and their interest in and insightful comments about my writing were so helpful and encouraging. And we had fun! Leisurely dinners with wine and conversation flowing freely were our reward for days of hard work.”

Albert Bouffard joined us all three years: “The Let’s Go Write experience in France last summer, with its collegial and congenial spirit, enriched me, and I have no doubt, all the participants. The writing almost palpably improved; acquaintances became friends; and entrenched habits broke open, as we bumped up against another cultural and linguistic tradition. Not a bad thing for writers. And I can’t forget the good food, excellent cooks and the waiters and waitresses who so often entertained us with un sens de l’humour. As my six year old grand daughter would say: ‘How cool is that, Papa!’”

AND THEY LOVE US!

“Charlotte is warm, personable, and real. Her ideas work.” Zan Marie Steadham

“Charlotte treated my ideas with as much love and respect as if they were her own.” Holly-Marie St. Pierre

“Debbie knows her subject and teaches it with love, warmth and enthusiasm.” Herb Stokes

“Debbie’s classes are inspirational, educational and a lot of fun.” Helen Cartales Questions?

Contact Debbie: dguyol@aol.com Charlotte: chardixon@comcast.net

Pictures from Collioure: September 2015 Workshop

Collioure Table

Dinner outside among the hydrageas
Attending a fancy dinner calls for dressing appropriately, and opting for modest girls dresses can be a respectful and classy choice. Choosing attire that aligns with the occasion and adheres to any specific dress code ensures that everyone feels comfortable and elegant. It is important to consider personal style, cultural norms, and individual preferences while aiming to create a sophisticated and sophisticated appearance.

Pictures from Pezenas, our 2014 Workshop

The 2014 Let’s Go Write workshop was held in Pezenas, France, a charming town full of cobblestone streets, wonderful restaurants, and cute shops.  Here are some photos:

Kitchenandpool

View of the terrace from the farmhouse kitchen

Glace

An afternoon bowl of glace.

Greendoor

Pezenas door

 

Pezenaswork2

Hard at it.

Pezenaswork

Yes, we do work hard, also!

Winebottles

The result of Happy Hour

Gardenbounty

Garden bounty

Albere

Albere meets his book-reading match

Pezenas–Writing in the South of France

Let’s Go Write is pleased to announce our 2014 retreat/workshop in Pezenas, France.  Read on for all the details!

We’ll stay seven nights, six full days, HouseinPezenasat a beautiful house in the town of Pézenas. Photos of the house are here.   And here’s a site that nicely describes the town of Pézenas, in the Languedoc-Roussillon region, near the flourishing city of Montpellier.

Every morning we’ll meet from 9:30 to 12:30 for the “class” portion of the experience. We’ll have a group cocktail hour around 6:00, so from 12:30 till then you can eat, sleep, write and explore as you wish. Time permitting, we may organize a couple of optional side trips to nearby points of interest. The region is rich with Roman and medieval ruins, Romanesque and Gothic cathedrals, charming towns, beaches and vineyards.

Our subject for the week will be character. Whether you’re writing fiction or nonfiction, character is a crucial element of the piece. There are many ways to approach character exposition and development; we’‘ll look at as many as we can in a week.

 Day One – Saturday, September 13: Arrive in Pézenas and settle in. Note that Saturday is market day so parking may be challenging. If you’d like to experience the full glory of the market, you may want to secure a room in a nearby hotel for Friday night. Marketday

We’ll have dinner together at a local restaurant and get acquainted. Drink some wine of the region, talk about life.

 Day Two – Sunday, September 14: Meet your character: name, age, living situation; her ordinary world and how she interacts with it; what makes her tick; her living situation and backstory.

Day Three – Monday, September 15: Point of view – an endlessly fascinating topic. How does a character present herself, how is she perceived by other characters, how does an impersonal narrator present her?

 Day Four – Tuesday, September 16: “Character is revealed through action” is a truism found in every writer’s handbook. Today we’ll work on revealing character through action. What drives the character? What does the character drive?

 Day Five – Wednesday, September 17: And then there’s dialog. Your characters will spend a certain amount of time talking. How can you use dialog to reveal character?

Street in PezenasDay Six – Thursday, September 18: Explore the dark side of your protagonist.  Everyone has one – let’s find hers.  We’ll also consider the antagonist.  What people or forces thwart your character?  Another character? Circumstances?  Or a conflict within the character herself?  How does your character respond to the forces arrayed against her?

Day Seven – Friday, September 19: Put it all together – your character lives!

Day Eight – Saturday, September 20: Time to leave. BUT WAIT – what if you’d like to stay longer? Let us know immediately and we’ll arrange a second week. Program, if any, TBA.

Other details: The price is $1800; we require a $250 deposit on registration. The program is limited to eight participants; the first six to enroll will get to stay in the mansion pictured above. If your spouse or partner wants to come along, there will be a small additional charge. The price of the program covers lodging, tuition, and breakfast. Lunch and dinner are flexible. We anticipate a mix of meals at home and in restaurants.

TESTIMONIALS  Our students loved our sojourn in Céret, France, in September 2013. The writing was good too.

Renee Soasey says: “Debbie and Charlotte have a way of nudging and nurturing writers to new horizons, and they create an atmosphere of camaraderie into the bargain. I felt each of us at the workshop in Céret made real progress in our writing goals – and we had so much fun doing it! The town of Céret and our wonderful accommodations made a charming backdrop to indulge in not only writing, but fabulous wine and food topped off with laughter and friendly conversation. I can’t wait to do it again!”

Jenni Gainsborough says: “Céret was the perfect place for a writing retreat – so different from home, fascinating in its culture and history, it sparked creativity. Yet the beauty of its setting and its tranquil pace of life made it easy to focus on writing. And when I needed a break there was so much to see and enjoy and be reinspired by.

“The camaraderie of the group added so much – listening to other people’s work was inspiring and their interest in and insightful comments about my writing were so helpful and encouraging. And we had fun! Leisurely dinners with wine and conversation flowing freely were our reward for days of hard work.”

Contact Debbie or Charlotte if you would like to join us!

 

In Your Dreams–Writing in the South of France

800px-Céret,_France,_main_street_2

Our France retreat is officially full!  However, we’re planning on doing it again in 2014.  What exotic location would you like to visit?  Tell us and we’ll put it in the running!

We’ll have seven nights, six full days, in the Catalonian town of Ceret.
The price of the program covers lodging, tuition, and breakfast. Lunch
and dinner are flexible. Part of the fun of spending time in another
place is pretending you live there – buying food at local markets and
preparing it. Sampling local wine and other products. But nobody has to
do this. We anticipate a mix of meals at “home” and restaurant meals,
but we’ll decide what happens when and who participates as we go.

Every morning we’ll meet from 9:30 to noon for the “class” portion of
the experience. We’ll have a group cocktail hour around 5:30, so from
noon till then you can eat, sleep, write and explore as you wish. In the
course of the week we’ll also organize a couple of strictly optional
side trips to nearby points of interest. Three charming Mediterranean
towns are only about half an hour away; incredible Cathar castle ruins are farther; Romanesque and Gothic cathedrals are sprinkled liberally throughout the region. We’ll try not to get carried away.

Day One – Saturday, August 31

Arrive in Ceret, get settled. The living quarters will be ready for
us as of 3:00 pm. Note that Saturday is market day in Ceret, and its
market is huge and crowded. Parking after 8:00 am is extremely
challenging. If you’d like to experience the fully glory of the market,
we suggest finding a nearby hotel for Friday night.
We’ll have dinner together at a local restaurant and discuss the plan
for the week, individual writing goals, etc.

Day Two – Sunday, September 1

The theme for the day is inspiration (if you need it). Simply finding
yourself in a foreign environment can seriously spark inspiration, but
we’ll also talk about various other sources: memories, fantasies,
dreams, landscape, art and architecture. Writing exercises for
inspiration.

Day Three – Monday, September 2

We’ll focus on character in fiction and nonfiction. What are your
character’s motives, problems, excuses, wants and needs? How can you use
dialog and action to develop character? Writing exercises – yes.

Day Four – Tuesday, September 3

Let’s think about plot, and talk about it too. We’ll look at various
definitions of plot and discuss its function in your narrative.

Day Five – Wednesday, September 4

A day devoted to setting and how it functions in the narrative.

Day Six – Thursday, September 5
A big-picture day, when we consider the basic elements of narrative:
scene, summary, commentary. How do we balance the elements? Can we do
without any of them? And what about theme?

Day Seven – Friday, September 6

The art and science of revision. Revisit your dreams, your writing
goals, the work you’ve done the past week. We’ll also cover fine-tuning
your work and matters of style.

Day Eight – Saturday, September 7

We must leave our enchanted village – preferably after more market-day excitement.

BUT WAIT – what if you’d like to stay longer? Let us
know
immediately and we’ll arrange a second week. Program, if any,
TBA.

Other details: The price for one week is $1800; we require a $250 deposit on
registration. The program is limited to six participants. If your spouse
or partner wants to come along, there will be a small additional
charge.

Interested?  Write dguyol@aol.com or charlotte@charlotterainsdixon.com for details on how to sign up.

Photo courtesy of Wikipedia.